Tanah sulawesi selatan tepatnya di Makassar memang tidak seheboh tanah翻訳 - Tanah sulawesi selatan tepatnya di Makassar memang tidak seheboh tanah英語言う方法

Tanah sulawesi selatan tepatnya di

Tanah sulawesi selatan tepatnya di Makassar memang tidak seheboh tanah jawa untuk permasalahan musik underground namun untuk band yang satu ini patut diantisipasi kehadiran mereka di negeri ini. Band yang beramunisikan Idol Blasphemy (vocal), Farid Anggara (Guitar), Hendrik (Bass) dan Bahriady (Drum) ini menamai diri mereka dengan Critical Defacement, meski empat anggota tetap Critical Defacement juga mengajak rekan mereka bernama Lhio menjadi additional guitar mereka. I think you never forget.. makanan khas makassar adalah soto makassar, menikmat sebuah sajian makanan memang tidak jauh beda ketika saya mendengarkan secara keseluruhan materi musik critical defacement dalam album yang belum lama ini mereka luncurkan bahkan beberapa hari yang lalu sempat diadakan launching album di tanah sendiri. Album Crime of The Century menjadi title album pertama milik Critical Defacement yang lahir melalui label asal jakarta Brutal Infection Records, album tersebut berisikan 9 materi lagu yang dikemas secara epic bin apik menurut saya. Racikan vocal dengan riff-riff gitar sadis serta blasting drum yang rapi ditambah sound bagus menambah kesempurnaan lagu - lagu dalam album pertama mereka. Di mulai dengan track pertama 'Bloody Face Of Horror' tanpa basa basi lagi sang vokalis idol mampu menyedot telinga saya walau hanya berdurasi kurang dari 2 menit, lagu tersebut cukup pas untuk menjadi awal perjamuan saya bersama crime of the century. Next song saya berjumpa dengan 'Semua pasti Mati', blasting drum yang cepat dicampuri tempo down sedikit untuk rileks sejenak namun tetap dibumbui riff-riff gitar yang khas dan menambah nilai plus lagi ketika membaca liriknya bahwa critical defacement ingin menceritakan tentang sebuah akhir zaman kepada para pendengar melalui lirik yang mereka tuliskan. Dua lagu saya jelaskan mungkin sedekit penjelasan dari lagu milik critical defacement ini, agar kalian mampu mendengarkannya secara keseluruhan dengan membeli cdnya. Namun saya akan sedikit menjabarkan bahwa lagu-lagu mulai track awal hingga akhir kalian akan dijumpai riff-riff gitar cepat dan memiliki khas sendiri dari suaranya yang diolah oleh Farid, blasting drum cepat dikombinasikan tempo down akan dijumapi disetiap lagu serta emosi vocal idol yang sangat ngena sekali hampir dikeseluruhan lagu apalagi track 'Bastard Of Zionism' lagu tersebut dapat menjadi lagu favorit saya di album ini. Sangat wajar sekali ketika album ini mendapat aprisasi penuh oleh para teman-teman metalhead karena musikalitas yang ditampilkan tidak monoton meski sangat jarang bahkan tidak menemukan riff-riff melodi namun critical defacement mampu menciptakan harmonisasi yang epic serta mudah diingat melalui sentuhan gitar Farid. Album yang berdurasi 22 menit 33 detik ini sukses menjadi sejarah bahwa critical defacement mampu bersaing untuk menciptakan sebuah karya - karya yang fenomenal untuk tanah makassar dan indonesia secara luasnya. Untuk masalah cover art tidak perlu diragukan lagi jika mas wahyu aji sang artworker asal blitar ini yang menangi, dengan menggabungkan sedikit warna biru dan merah ditambah art yang luar biasa membuat wahyu aji sukses menyita pandangan saya ketika pertama kali art album ini dipublikasikan oleh Brutal infection records. Jadi jika kalian masih sangat penasaran dengan materi album critical defacement yang dikerjakan di studio Loe Joe Makassar ini, kalian wajib memiliki rekaman fisiknya untuk membantu mereka agar tetap memberikan hiburan bagi telinga para metalhead yang ngakunya 'Support Your Local Scene'.
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ソース言語: -
ターゲット言語: -
結果 (英語) 1: [コピー]
コピーしました!
The ground in Makassar of South sulawesi is indeed not seheboh Java for problems of underground music for the band, however this one is worth the anticipated their presence in the country. Beramunisikan Idol band Blasphemy (vocals), Farid Miroslav (Guitar), Hendrik (Bass) and Bahriady (drums) this naming themselves with Critical Defacement, though four members remain Critical of their colleagues also invite Defacement named Lhio being additional to their guitar. I think you never forget .... typical food of makassar makassar soto is, enjoy a dish of food is indeed not much different when I listen to music critical material overall defacement in albums that not long ago they even launch a few days ago had held the launching of the album in the land of his own. Crime of The Century album became the first album title belonging to Critical Defacement born Brutal jakarta origin label through Infection Records, the album contains 9 songs that material packaged in stylish bin epic in my opinion. Inimitable vocals with riff-guitar riffs and blasting drums sadistic neat plus sound nice add to the perfection the songs in their first album. In the starts with the first track ' the Bloody Face Of Horror ' without base stale again the vocalist idol able to suck up my ears though it only lasts less than 2 minutes, the song is quite fitting to be the start of my supper together crime of the century. Next song I meet ' all surely die ', blasting drums fast tempo down a little bit were interfered to relax for a moment but still flavored riff-guitar riffs and add value plus again when reading the lyrics that critical defacement like to tell about an end-time listeners through the lyrics they write. Two songs I described may sedekit explanations of the songs belonging to this defacement critical, so that you are able to listen to it in its entirety by buying the CD. But I will be a little bit of outlining that the songs begin to track beginning to end you will found riff-riff guitar fast and has its own characteristic of his voice made by Farid, blasting drums quickly combined down tempo track every dijumapi will and emotions are very vocal idol ngena once nearly dikeseluruhan song let alone track ' Bastard Of Zionism ' songs may be my favorite song on this album. Very reasonable once when the album received full aprisasi by the metalhead friends because the musicality that is displayed is not monotonous though very rarely even find no riff-riff melody but critical defacement is able to create harmonization that epic and memorable through touch guitar Farid. Album that lasted 22 minutes 33 seconds was successful into the history of that critical defacement compete to create a phenomenal works for land in indonesia makassar and breadth. Cover art for issue need not doubt if mas Rev. sang aji artworker origin this blitar won, by combining a little blue and Red plus art makes incredible revelation aji successfully seized my view when the first album was published by art Brute infection records. So if you guys are still very intrigued with the album, critical defacement worked in the studio of Loe Joe Makassar is compulsory, you guys have the physical tape to help them to provide entertainment for the ear the metalhead who ngakunya ' Support Your Local Scene '.
翻訳されて、しばらくお待ちください..
結果 (英語) 2:[コピー]
コピーしました!
Ground exactly in Makassar, South Sulawesi is not as sensational Java land to the problem underground music for the band, but this one is worth anticipated their presence in this country. Bands that beramunisikan Idol Blasphemy (vocals), Farid Anggara (Guitar), Hendrik (Bass) and Bahriady (drums) have named themselves with Critical Defacement, although four permanent members of the Critical Defacement also invite their colleagues named their Lhio be additional guitar. I think you never forget .. typical meal is a soup Makassar Makassar, menikmat a food dish is not much different when I listen to the whole music material critical defacement in the album that recently they have even launched a few days ago was held at the album launching ground own. Crime Of The Century album became the first album title belonging to Critical Defacement born via Jakarta-based label Brutal Infection Records, the album contains nine tracks packaged material epic trim according to my son. Racikan vocals with brutal guitar riffs and blasting drum neat plus good sound adds to the perfection of the songs - songs in their first album. Beginning with the first track 'Bloody Face Of Horror' no strings attached anymore vocalist idol can suck my ears though only lasted less than 2 minutes, the song is quite fitting to be the beginning of my supper together crime of the century. Next song I met with 'All must Dead', blasting fast drum mixed tempo down a bit to relax for a moment but still flavored guitar riffs typical and plus value-added again when reading the lyrics that critical defacement want to tell about an end-time to the the listener through the lyrics that they write. Two songs I describe sedekit possible explanation of songs belonging to this defacement critical, so that you are able to listen to as a whole by buying the CD. However I would be a little spell out that the songs started to track the beginning to the end you will be found guitar riffs fast and has its own characteristic of the sound processed by Farid, blasting drums quickly combined tempo down will dijumapi every song and emotional vocal idol very ngena once almost every era of the song let alone track 'Bastard Of Zionism' this song may be my favorite song on the album. Very reasonable once when it gets aprisasi full album by friends metalhead because musicality displayed monotone although very rarely even find melodic riffs but critical defacement able to create harmony epic and memorable through touch Farid guitar. The album is the 22-minute 33 seconds into the history of this success that critical defacement able to compete to create a work - work that is phenomenal for land Makassar and Indonesia in breadth. To issue cover art is unquestionable if mas revelation aji the artworker origin blitar this is won, by combining a bit of blue and red plus the art is exceptional making revelations aji successfully seized my view when I first album art was published by Brutal infection records , So if you are still very curious about the album material critical defacement is done in the studio Loe Joe Makassar, you are required to have physical tape to help them to continue to provide entertainment for the ears of metalheads who ngakunya 'Support Your Local Scene'.
翻訳されて、しばらくお待ちください..
 
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